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1 ) 两段对话
Eva: I'm trying to protect myself, you know? Because we borh married bofore. And you know how things can turn out..
Albert: What about us? What about protecting us?
Eva: I didn't protect us. And it didn't get poisoned Albert. I still really wanted us to keeping seeing each other.
Albert: I wouldn't know how, you know.
Eva: I'm sososososo sorry.
Albert: l know it sounds corny, but you broke my heart. And I'm too old for that shit. And the worst part is that you make me look like an idiot in front of my daughter.
Eva: I'm the idiot. I'm the idiot.
Albert：Look I got a lot to do...
Albert: I should tell you I bought some nice tables.
Eva:You did?
Ablert: No! No I didn't.
Eva: Ok, that's good!
2 ) She was poisoning your perception of me.
短短90分钟的爱情轻喜剧，导演关注了子女长大成人离家后父母的情感冲击（孤单、空虚感），探讨了人到中年在二次择偶时（没有山盟海誓没有一见钟情的）爱情的分量和意义，展示了我们如何轻易受到别人观点的影响而对同样的人和事产生不同的看法，刻画了一位母亲无意中把别人的孩子当做自己的来养的现象。主题是到位了，风格也够“轻”快，只是美中不足的是“喜”点不足。像主角被揭穿一幕作为全片的高潮，完全可以戏剧性再强一些。这一点，另一位女性导演兼编剧Nancy Meyers几年前的作品《It's Complicated》（《爱很复杂》）就做得更好。不过这两部片在最后都给女主角的爱情播下了希望的种子，起码让观众们能会心一笑的走出电影院。
小时候浸淫在Woody Allen片场的Nicole Holofcener早已形成了自己的风格。尤其是她那女性特有的视角和感悟，在影评界颇受赞誉，烂番茄的新鲜度常在80%以上。本片是她的第5部电影，全部自编自导，也全部跟Catherine Keener合作。不过Keener这次的戏份并不多（虽然一如既往的给力），主角则是两大电视界明星——《宋飞传》（《Seinfeld》）中的Julia Louis-Dreyfus和《黑道家族》（《The Sopranos》）中的James Gandolfini。于是我们看到50岁的肤浅易怒略带神经质的Elaine Benes和躁狂抑郁集慈父和黑帮老大为一身的Tony Soprano像高中生般小心翼翼的谈了场恋爱。这听起来似乎很不靠谱，但多亏两位主演真实细腻的演绎，使得观影时的感觉要和谐的多。最终，Louis-Dreyfus喜获自己的第一个电影类重要奖项提名——金球奖最佳女主角提名（音乐喜剧类），而Gandolfini则拿到了演员工会奖和评论家选择奖的最佳男配角提名。可是这一切的一切，都因为Gandolfini的突然去世而蒙上了阴影。Gandolfini是在2013年6月在罗马度假时因心脏病发而猝死在浴室的；本片中女主角还曾拿他的体型开玩笑，事后看来很不合时宜。3个月后本片上映，那一天原本是他的生日。片末的字幕将这部他生前倒数第二部作品献给他。他的家乡新泽西则为这位三次艾美奖获得者降半旗致哀，并把一条主干道以他的名字命名。
3 ) 好故事，无需多言
片中有女主的闺蜜家的保姆，辞了一次又一次，还是被请回来。因为那个保姆还是什么的被误会成把棒球各种奇怪的东西放到各种奇怪的地方，矛盾爆发，保姆吐槽了女主人一脸，宣泄各种不满。 正如，女主的女儿看到好朋友跟女主睡在一起的亲密样子，也误会了，也嫉妒了。片中安排了很多恰到好处的误会，可以理解，比较容易产生共鸣（哦我也遇到类似的）的误会来推动情节。
我觉得最能体会的地方就是片中高潮，女主跟客户还有客户的ex老公碰到，后来，一个虎背熊腰的大汉说：“我知道这样说很土，可是你伤我心了。”要产生这个微妙的感情的诸多因素，导演已经铺垫得很到位游刃有余，到了那幕自然而然地就能体会汉子的感情，这才是讲故事。
“Yes，I did not protect us”
如果你觉得莫名其妙不能理解这个大汉的心情的话，我推荐你去看爆米花电影，这样也不会浪费时间。
人与人之间。真的需要理解，需要妥协，无须多言。正如那个最后还是被请回来的保姆，厨房里的柜子还是有奇怪的梳子，但这些都无伤大雅。那个大汉尔伯特也还是说着他自己风格的笑话，
“我要告诉你的是我买了几个床头柜”
“不会吧？你真的买了？”
“不，我没买啦”
不适合的人，不肯妥协或者不是真正喜欢，分开当朋友。一如片中各种前妻前夫，反而是比较和谐。中国人或许做不到，我也觉得我做不到，但是我觉得那样挺好。
~~~~~~~~~~~~~~~很温馨挺不错的电影。
4 ) [Film Review] Enough Said (2013) 6.9/10
Since rom-com for grown-ups has officially become a dying species in Hollywood-land, one must go back a few years to find some decent ones, ENOUGH SAID, the fifth feature of Nicole Holofcener, is a rare movie showcase for beloved TV megastar Julia Louis-Dreyfus, playing Eva, a divorcée who earns her living as a masseuse, and incidentally twigs that the man she is currently dating, Albert (Gandolfini), is in fact the ex-husband of her new client Marianne (Keener), what will you do under such circumstance?
Like as not, we might have the same reflexive reaction as Eva, who promptly mines the opportunity to get to know the lowdown of Albert by subtly cajoling Marianne to open up about their failed marriage, presumably it gets her an upper hand of appraisal whether Albert is the right person for her, but rubbed off on Marianne’s negative opinions about him, Eva ineluctably puts strains on their inchoate romance, until, she is finally got busted and has to face the music.
As a trenchant object lesson on “one woman’s meat is another woman’s poison and vice versa”, ENOUGH SAID nonetheless, coats its white-bread central crisis with a glistening cast, Louis-Dreyfus’ comical chops and self-deprecating sharp-wittedness spiritedly rounds off Eva’s commonplace but endearing persona, and Gandolfini (reaping awards-season trophies in his penultimate movie, still missing out a posthumous Oscar-nomination, which colors the movie’s serio-comic tone with a whiff of doleful sadness), excellently imparts an avuncular, rough-around-the-edge vibe and vamps it up with his underutilized funny bone, an image couldn’t be more different from his iconic work in THE SOPRANOS, and audience can certainly abandon oneself in the sparks-fly chemistry between these two veteran performers, plus the icing on the cake from a Bohemian Catherine Keener (overcoming the unsavory characterization of a bad-mouthing ex-wife with unfeigned spontaneity and nonplussed frustration) and a radiant but sometimes clueless Toni Colette as Eva’s best friend Sarah.
A secondary plot pivoting on a middle-aged parent’s bittersweet acceptance of their child’s induction of adult hood puts both Eva and Albert in the same position and counterpoises the romantic pell-mell with a weepy mood that might hit the movie’s target audience hardest. But when all is said and done, witty, sophisticated and intrinsically funny, ENOUGH SAID might be quintessentially televisual in its building blocks, but no one should disparage its illuminating relationship tenet in the nucleus.
referential entries: Yaron Zilberman’s THE LATE QUARTET (2012, 6.7/10); Jonathan Levine’s LONG SHOT (2019, 7.0/10).
5 ) Enough Said(intriguing)
It makes me wonder how a relationship starts from the very beginning.
I can't help imagine what life would be like for a couple in 10 or 20 or... years time.
Is it the truth that the right person for you is gonna be not so right sooner or later?
Maybe oneday I would find out answers for that.
6 ) 无需多言
《无须多言》是男主角詹姆斯·甘多菲尼去世前倒数第二部电影，影片结尾处字幕写着“献给吉姆”。是一部平实近人、温情动人的“话痨体”爱情电影，前半段风趣幽默令我嘴角上扬，后半段却不禁陷入深思和困惑，你是否也会因别人的一席话，而开始看不清你面前的那个人，可你明明自以为很了解他了啊。片中很多幽默的对话、真实的细节，也很喜欢两个角色及其之间的感情，令人心安。
很白, 却真实无比的中年小品. 女儿离开家去东部上大学的桥段还好让我难过了一阵子. 片尾的"For Jim," 很难想象片中慈父形象的James Gandolfini如今就葬在了我家街区的另一边.
爱与不爱，对与不对，可能最关键就在于合适与不合适……在被伤害后人都会本能的更加小心谨慎，但若做的过头，可能真的就会错过被爱机会。所以，无需多言，放手去爱吧！很治愈很细腻很聪明的一部片子，里面的配乐都很棒，有几个小细节导演把握的恰到好处，男主居然不在了，为了大爱的二当家再多一星~！
即使是二十多岁独立的男女也一样有防备，自我保护机制总是随着年龄增长而愈发完善的。
这是很纠结的故事，充满了讽刺但又不乏幽默。总得来事还不错
【B-】原来是中老年题材流水账爱情轻喜剧……其实片子还可以啦，但我觉得与其自己看不如给我爸我妈看Orz
这是一部温情而幽默的成人喜剧，它的幽默之处是低调而密集的，像电影一样透着稳重的成熟，而在与此同时，也能轻柔地触碰到观众的内心。女主角茱莉亚以灵动的表演出色地塑造了一个古灵精怪般的中年女性，她与詹姆斯·甘多菲尼的搭配有不错的化学反应，确实演绎出了无须多言的意境。
跟《请给予》一样，都是那种小成本的独立小片，带点生活困惑与感悟。趣味大概是，同时感受爱情初期与婚后多年的情绪，并产生碰撞。极有魅力的甘多菲尼
with F @cinemapolis. 影院里又是空空荡荡，只有我俩和几对老奶奶观众。故事由细节层层剥开，用心恰到好处。喜欢他们并肩而坐时的自然和温情。回来才知剧终时的“for Jim"是给今年六月已故去的男主。第二天和F又说起，记得不只要protect自己，还要"protect us"。
精雕细琢的台词让本身较老套的剧情显得颇有新意。温馨的中年爱情小品加上完美的两位表演。甘多菲尼遗作
对白，人与人之间关系的探讨，按摩身体或心灵。
红酒型喜剧。还是女主更勇敢一些，尽管慢了些。
爱无需多言 总要有一个人先勇敢
很不错了
是女导演擅长的温馨小品，对话非常可爱，中年chick-flick就应该是这样。好好斟酌台词，烂俗的剧情也可以讲出新意啊。这竟然就是甘多菲尼最后一部电影了，心有戚戚焉
很温馨的电影
一些事是『自己』的，一些事是『我们』的，为何不懂得开口叫人帮你抬一把按摩桌，又为何总随性地为别人出谋划策，好在最后这些问题都得到了改善。非常知性，非常平实，可能我心理年龄已经老到偏爱这种中年人喜剧了吧。R.I.P.Gandolfini,you are brilliant.
如果能發現問題，當然不採取立場會更好
到处都是尴尬的笑容。。。
看到了温情，看到了爱，岁月静好！
难道这就是所谓的知音体话唠片，中年大叔大婶的小清新不是咱这年龄段能感同身受的，一星送这已逝的James倒数第二部公映电影。