小兔历险记

I just want to write sth about what I feel about this movie. I honestly don't know what it wants to talk about at the very beginning. The little rabit wants to see his mom desperately, the rabit dad extremely fears of the bird shown by his move to live on the sea even though they are terrestial rabits, then is Bill, the constructor but dispites the kingdom he creates. And the grown-ups keeps telling John that he does not belong here, and all the rules and MOla. John is quite a little rabit, he's smart, brave and bold as any youngsters should be. He simply wants to stay with his mom and he just does it, regardless of dady's fear and Bill's warning.
The English translation of the title is Beyond, which makes more sense to me than the adventure in the feather kingdom. I see the difference between the two worlds in the movie as the living and dead. Mom is dead which is why she cannot go back to where her husband and son are supposed to be in, and also explain the sudden outrage of Mola. She is the core of maintaining the equilibrium of the two worlds, giving out too many immature tickets break the equilibrium. Mola's character is like a snake, the tickets are her skin, as the skin mature, the tickets will natrually shed which means the people should be taken to the beyond, this happens all natrually, it is how it works in the world. I don't think Mola is the rules, there's no rules, and all the things are just nature, she is nature and what John learn is also nature, about how it works in the world.
What is a remarkable change is the letters. Dad does not believe there's connection of the two worlds, and that's why he throws John's bottle away. But finally, after their adventure, I believe they send letters to the mom frequently, even carrots. There's faith in dady's heart. He sees the mom collection of letters and believe there's connection. But what really is important is not the part of receiving, but the part of believing. As long as he believes she is still with them, somewhere in this world, the letter is sure heading somewhere.
And John understands better of the world, of the nature, rather than rules I suppose. He says goodbye to mom and lives happily on land. The adventure is an experience of learning lives and nature.
Like this movie, though I've got some questions too.
Why the mom lives in the forest but the others in town?
Why people in town are not happy?
What might be a symbol of Bill?

勿忘初心，方得始终，是我喜欢动画电影的理由；用田园般诗歌的手法描绘死亡，是瑞典动画《羽国之旅》讲述的故事，只是在这里死神的使者叫做羽之王，而故事的主角也变成了兔子。本该忧郁的话题，却因为小萌兔的出镜而轻松不少。

关于成长总是有太多话题可以说，关于成长首先要学会的是直面死亡。伍迪-艾伦借海明威之口说过这样的话：“我相信真实纯正的爱情能产生一个纾解死亡的阶段。所有的懦弱都源于没有爱或者爱得不彻底，这两者一样。勇敢而真诚的人能够直面死神。”

所以，爱才是宇宙一切问题的终极答案，不管是对朋友、恋人还是家人。所以，本片中的小萌兔在兔子妈妈被羽之王带走后，依然坚持给妈妈写信，通过漂流瓶的形式。所以，本片中的小萌兔在兔子爸爸不断逃避的时候，依然坚持要见到羽之王，因为这样就可以找到妈妈。

阴错阳差间，小萌兔来到了羽之国，原来看上去像老鹰的羽之王居然是一个长着翅膀的蓝色大兔子（瑞典人是有多爱兔子？）。终于找到了兔子妈妈，终于一家三口团圆，但幸福总是短暂的。当“瑞典最佳损友”彼得将阴阳之间的天梯打通后，一切都乱了套。在羽之国快要坍塌的时候，小萌兔力挽狂澜，在归还了所有不应该送出的船票后，羽之国恢复了平静。

当最后的告别即将来临的时候，我想，小萌兔的爸爸妈妈和小萌兔自己都是极其欣慰的。成长的道路上总会有人告别，只有如此我们才会知道我们有多爱对方，而我们要学会的就是勇敢的说出再见。用坦诚的心去对待身边的一切，只有这样，当有人率先离开的时候，我们才不会留下遗憾。

故事的结尾，一再逃避的彼得选择了重新修筑天梯，一再逃避的兔子爸爸也选择和小萌兔重回陆地，正如兔子妈妈所说：“兔子终究还是要生活在陆地上。”直面死亡、直面责任，坦诚的活着，这才是有价值的人生。

影片的最后，兔子世界的人们发生了一些微妙的变化，他们不再面无表情，而是和小萌兔一样拿着漂流瓶走向大海。其实，只要我们一直记得，那些爱我们的和我们所爱的人就永远不会离开。

看惯了好莱坞主流动画，本片的画风初看有些不适应，但终究架不住有一个好故事。所以好电影的核心是有一个好故事，至于画面，那不过是锦上添花的东西。希望我们的电影人能多从这些电影中汲取养分，拼不过画面，那我们就在讲好一个故事上多下功夫。人生也好，电影也好，踏实一些，总会有一些惊喜等着我们。